Bird of Paradise
A vacation villa soars on the Anguilla breeze.
April 1, 2007
When Melody and John Dill first visited the island of Anguilla in the windswept British West Indies, they were instantly smitten. Though they had traveled extensively to islands across the globe, they quickly bought a condo and began planning their perfect vacation home.
After 20 years of visiting Anguilla, art collectors
Jon and Melody Dill decided they wanted their own home there. The couple asked
architect Guy Courtney of Wilson & Associates to build a house that would
exist in harmony with the land and temperate climate. The living room, which is
accented with primitive art the Dills have gathered on travels to Papua New
Guinea, Borneo, Ethiopia and Bali, is cooled naturally by the island breezes.
A path leads to a sitting area. The beach is a three-minute walk
away. (Click image to enlarge)Eventually, they found a spot above Sandy Hill Bay, a three-minute walk to a lovely white-sand crescent beach. The property had panoramic views of St. Martin’s, St. Bart’s and St. Eustatius islands. After much searching, the Dills hired architect Guy Courtney of Wilson & Associates in Dallas, who had designed Fregate Island resort in the Seychelles, and other properties with the warm, inviting feel they sought.
A path leads to a sitting area. The beach is a three-minute walk
away.
(Click image to enlarge)"We Find that Many Resorts like are too contemporary, with too much cement, which feels very cold," says Melody Dill. Because Anguillan law required that the house be constructed with cement and rebar—to withstand the high winds and occasional hurricanes that roar over the island—they filled the interiors of the "Bird of Paradise," as they call their home, with exotic woods, such as purple heart mahogany doors and vaulted ceilings of ipe wood. For the roof, the Dills chose sturdy Wallaba roof shingles, which have lasted up to 100 years in tropical settings such as Anguilla’s.
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The rich woods inside set the stage for the Dills’ extensive collection of primitive art, gathered on travels to Papua New Guinea, Borneo and Ethiopia. On visits to Bali, the couple commissioned many works of carved stone, including large wall panels, a base for their dining room table and oversize planters for the garden. "They wanted it to be simple, not overdesigned," says Courtney, who notes that the main design concept was to create a comfortable space that fit with the casual island lifestyle.
Anguilla’s trade winds dictated the home’s placement on the site, as well as
much of its design. Only the four bedrooms are air-conditioned: The main living
areas stay cool due to the winds, which keep the weather pleasant, even in
summer. Door and window panels can be opened or closed to control how much
breeze enters. At the Dills’ direction, Courtney placed an outdoor courtyard in
a sheltered spot beside the pool, so that guests could enjoy dining and relaxing
there, even on the windiest days.
The master bedroom, housed in its own freestanding,
air-conditioned pavilion, steps out to a private plunge pool overlooking the
ocean. The bed, chair and side table were crafted in Indonesia. Courtney
installed dimmable cove lighting in the rafter ceiling "to set a romantic
tone." (Click image to enlarge)
"Melody is a walking encyclopedia about the prevailing winds," says Courtney. "They can be a
nuisance. Melody and Jon had worked through a lot of that before I met them.
They wanted to enjoy that indoor-outdoor feeling without having magazines and
plants blowing around."
The master bath includes a vanity, a whirlpool tub and a
coffee bar, at right. "The travelers palm in the window is lit at dark and acts
as a nightlight," notes Courtney, who brought in Wilson & Associates’ Tonya
Burke to help with the interiors. Above the window is a carved panel from
Borneo, the walls are hand-finished plaster and the floor is "a soft-to-the-foot
pebble stone," according to Courtney. (Click image to enlarge)
To create a seamless transition between the rooms and the
terraces, Courtney designed a unique "cornerless" living room. "The idea was to
have this full panoramic view, with no columns or corners on three sides," says
Melody. "It was a challenge." The doors, when open, slide back into walls with
hidden supports for an unfettered view. Yet when the doors are closed, hurricane
shutters, hidden behind garden trellises, can be quickly tugged over them and
locked for protection.A lagoon-style pool meanders between the master bedroom and the
main living area, housed in an open-air living pavilion that merges into a
terrace along the ocean side, with outdoor dining for 12. The home and gardens
are surrounded by a tall stone wall to keep the islands’ goats from straying
into the lush foliage. At the edge of a bluff sits a Balinese-style bale, or
covered daybed, overlooking the water.
A view to the house from the water side reveals the
individual pitched-roof pavilions surrounding the pool, traversed by a wooden
bridge leading to the master bedroom pavilion at left. At right is the living
room pavilion, with the other bedroom pavilions beyond. "We commissioned the
stone planters from master carvers in Bali," says Melody. (Click image to enlarge)
After the house was finished, Courtney and his family
vacationed there. He appreciated how, as the sun set, the outdoor lights
automatically created new scenery, including a dramatic traveler’s palm lit up
just outside the master suite. "The landscape enhances the atmosphere," he
adds.
"The lagoon-style pool acts as a water feature and
provides a dramatic glow at night," says Courtney. Candles and lush plantings
add to the ambience. "The architecture was designed with no roof overhang, to
allow rain to be collected from the rooftops and stored in the cistern below the
house for domestic and landscape use." (Click image to enlarge)
The house was always intended to be a rental, and it has stayed
busy with family retreats, honeymoons and even a recent wedding. Rates range
from $5,200 per night, with a minimum 10-day stay during holidays, to $1,900 per
night for a partial rental during the low season.


